Every generation has its own definitive story. Like There’s No Tomorrow is the story of the insomniac yuppie generation of Budapest of the early 21st century, driven by greed and characterized by an immense longing for love and acceptance.

Did Andrew Dunn, the thirty-eight years old photographer brutally kill his perfect family? Nobody knows. Not even him.

Julio es un viejo jugador compulsivo obsesionado con un perverso juego de dados. Si gana recibe u$s 50000, si pierde debe poner su vida a la orden de la ruleta rusa. Estudia todas las variables y desarrolla una infalible técnica para controlar los dados con sus manos con la cual piensa ganar. En la casa de juegos, el Anfitrion le quiebra los dedos y lo obliga a jugar de esa forma. Su vida queda en manos del azar.

El amor deja sus marcas.

In search for a better life, people in poor countries took and still take considerable risks to flee their homeland. Sometimes it costs huge money, sometimes the price is paid in human lives.

Travelling experiences and multi-linguistic dialogs which happen on a initial journay of a young man from Eastern to Western Europe and back. His girl has left for a master course in Paris and he is going to visit her but he uses this rare opportunity to check on his friends scattered around “civilized part of Europe” The motiv is love but there are many other subjects involved: civilizations gaps, religion, homosexualism/heterosexualism, rasism, film, decadence, prejudeces, thruth and improvisation.... To return? As much as it was hard to get there, it is even harder to come back.

SARA travels to Yekaterinburg, Russia, determined to find her long-time missing little sister ELENA, or get killed trying. Or both.

High up in the isolated mountains of Tasmania, something forgotten has been awakened, a madman is on the loose, and a group of strangers are on the trail. Extinction was only the beginning...

The screenplay is based on the short story already published in my book of short stories "Acrobats". Please find this story below:

After car accident Joanna wakes up as an another person – Patrycja - she takes a place of another woman and it looks like she was her from the very beginning. Joanna behaves like she loves Piotr (Patricias partner) and she is with him. Piotr tries to solve the puzzle, find out her intentions, he looks for the truth and tries to decide about his life no matter that everybody gave up on him.